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The procession then makes another right angle and the next god, Kumarbi (pl.  Vc.  The thunder god's feet rest on the arched backs of the two deified mountains that have been discussed in our treatment of pl. XXVIb.  41, 48–49, 53–54a, 61, 63–65.  155–164.  5. C.  Here it is not militance and dignity, it is subservience and dignity between which the sculptor must strike a balance.  Certainly the Hurrian­inspired supreme goddess of Yazilikaya is not the same we see disrobing and dispensing rain as consort of the thunder god on Old Anatolian seals.

The moon crescent is placed across his pointed cap and wings grow out of his shoulders.  XXIXb have been recarved after damage to an original that may, however, been similar to the surviving relief.  At most they describe a double curve, with the front part blown back horizontally before falling down, perhaps implying movement through the sky (pls.  XXIXc imply the swift movement of winged Sauska when she intervenes on the battlefield.  The procession then makes another right angle and the next god, Kumarbi (pl.

XXVIIb, seem to occur only on deities connected with death (including, perhaps, the death of game): on pls.  The first one from the left is apparently inscribed Pisa(i)sap(hi).  45 D, 56, 65, 72, 76 A.  15: 4, is equivocal. 89 See note 59. 90 See note 60.  9 B, 10, 13–17, 20 B, 22 C­24, 46–47, 57, 60–61.  Namni has not been localized as yet.  Closer scrutiny is evidently needed before the scholars involved can reach a consensus.  308.  1: 6–8.  The name of his Babylonian equivalent, Nergal, is also written with the logogram "sword", but his Hurrian name has not been established as yet.

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